Herbie Fields And His Sextet And The Melrose Avenue Conservatory Chamber Music Society - Blow Hot, Blow Cool
Herbie Fields And His Sextet And The Melrose Avenue Conservatory Chamber Music Society - Blow Hot, Blow Cool
Singer: Herbie Fields And His Sextet
Album title: Blow Hot, Blow Cool
Label: Brunswick ‎– LAT 8110
Type: Vinyl, LP, Mono
Country: UK
Date of released: 1955
Category: Jazz
Style: Swing, Cool Jazz Rating: 4.5/5
Format: MP3 FLAC MP4 DMF AAC APE DTS AA VOC
mp3 size: 1429 mb | flac size: 1910 mb
Genre: Jazz

Tracklist Hide Credits

A1 Herbie Fields And His Sextet No More Words
Written By – Herbie Fields, Manny Albam
A2 Herbie Fields And His Sextet The Lady Is A Tramp
Written By – Lorenz Hart, Richard Rodgers
A3 Herbie Fields And His Sextet Baltimore
Written By – Herbie Fields, Manny Albam
A4 Herbie Fields And His Sextet Nutcracker Swing
Written By – Herbie Fields, Manny Albam
A5 Herbie Fields And His Sextet St. Louis Blues
Written By – W.C. Handy
A6 Herbie Fields And His Sextet Makin' Whoopee
Written By – Gus Kahn, Walter Donaldson
B1 The Melrose Avenue Conservatory Chamber Music Society I'm Forever Counting Geigers
Written By – Marty Paich
B2 The Melrose Avenue Conservatory Chamber Music Society Id
Written By – John Graas
B3 The Melrose Avenue Conservatory Chamber Music Society Skip To My Loot
B4 The Melrose Avenue Conservatory Chamber Music Society Speak Easy
Written By – Jack Montrose

Credits

  • Alto Saxophone [1st] – Bert Herbert (tracks: B1 To B4)
  • Bass – Curtice Counce* (tracks: B1 To B4), Harvey Lang, Jr.* (tracks: A5 To A6), Peter Compo (tracks: A1 To A6)
  • Clarinet, Leader – Herbie Fields (tracks: A1 To A6)
  • Drums – Forest (Chico) Hamilton* (tracks: B1 To B4), Guy Vivdros (tracks: A1 To A6)
  • Guitar – Rudolph "Rudy" Cafaro* (tracks: A1 To A6), Yoshiaki Nadaoka (tracks: A5 To A6)
  • Harp – Joseph "Joe" Black* (tracks: A5 To A6)
  • Leader – Tom Mack (tracks: B1 To B4)
  • Liner Notes – Al "Jazzbo" Collins*
  • Piano – Joseph "Joe" Black* (tracks: A1 To A6), Marty Paich (tracks: B1 To B4)
  • Saxophone [Baritone] – Bob Gordon (tracks: B1 To B4)
  • Saxophone [Tenor] – Herbie Fields (tracks: A5 To A6)
  • Tenor Saxophone [1st] – Jack Montrose (tracks: B1 To B4)
  • Tenor Saxophone [2nd] – Buddy Collette (tracks: B1 To B4)
  • Trombone [1st] – Kai Winding (tracks: A1 To A6)
  • Trombone [2nd] – Bill Byers* (tracks: A1 To A6)
  • Trombone [3rd] – Eddie Bert (tracks: A1 To A6)
  • Trombone [4th] – Bart Varsalona (tracks: A1 To A6)
  • Trumpet [1st] – Stu Williamson (tracks: B1 To B4)
  • Trumpet [2nd] – Nicholas Drago (tracks: A1 To A6)
  • Vocals – Marcy Lutes* (tracks: A1 To A6)

Notes

Brunswick Regd Label :-
Matt black background with silver text
'Unbreakable Microgroove Record'
'Made In England'

Laminated Front Sleeve:-
Front sleeve is identical to Decca release but has the 'Brunswick Records' logo where the Decca logo is in the top RH corner.
Printed along the bottom 'Long playing 33 1/3 rpm microgroove flexible record' , white text on black background.

Laminated Rear Sleeve:-
Cat No. LAT 8110 printed to both top RH and LH sides with title below.
2 curved flipbacks top and bottom.
Biog of the artists/collaboration
'Printed in England' printed bottom LH corner within flip back.
'Made In England' printed below Brunswick logo bottom RH corner just above flip back.

Spine:-
Nothing printed on the spine

Inner:- Curved poly liner

As the title of this album would indicate, you are in for both some hot and some cool moments. The fact that Herbie Fields and his Sextet have been appointed the group representing the hot side and TMACCMS has been appointed the cool propounders doesn't necessarily end there because for some happy reason Herbie Fields and his Sextet have some very cool moments, indeed, and the boys from Melrose, as you will notice, leap in a very warm manner.
Be Assured that there is not a battle of the bands planned or to be assumed here. This is no hot versus cool sound dual. Rather, it is more like a formula for getting things to just the right taste. This is one of those dates where you know (even if you don't know) that a lot of hard work has gone before...arranging work, scoring, or to make it sound easier, scratching out a chart, writing a few originals, thinking up new ways of saying old familiar things, selecting musicians with compatible ideas and compassion for one another and then hoping fervently that instruments, studios, musicians and their respective chops will all be in the best possible condition for the date.
Whatever came out of this date came through work and persistance and there were some experiments tried that paid off, as you will hear. The serious student of contemporary music, however, will find no revolutionary upset in the musical concept. But, at the same time, he shouldn't expect to get 'knocked out' or to hear a 'new sound' every time he puts the needle to the groove. It's impossible. But the groups here have assimilated some interesting sounds and provided quite a few pleasurable moments.
That can sometimes be more important than the other.
About the Music:
"No Word Blues"... is really one of the nicest things in this set because it immediately gives a most relaxed, pleasant kind of smoky-blue feeling. This is largely due to Marcy Lutes who sings, wordlessly, and to the ebulliance of the Herbie Fields clarinet. This you will play more than once.
"The Lady is a Tramp"... is a highly revamped lady swinging along animatedly. This is the real "blow hot" portion of the album and you will hear some easy-listening guitar by Rudy Cafaro.
"Baltimore"... is a swinging easy-groove opus, with shades of a shave and a haircut -- two bits. Unison solidly but lightly shuffling gives this a pleasant nudging direction. Peter Compos on bass gets a little taste near the end but is subdued by somebody, probably Bart Varsalona on trombone.
"Nutcracker Swing"... borrows a few leaves from the Tchaikovsky book, especially "Waltz of the Flowers," which gets wrapped up into a modern corsage. Even a touch of Dixieland is thrown in and Peter Ilyitch might even be grooved by this one.
"St. Louis Blues"... gets a real funky treatment by Herbie Fields with some bucket-type clarinet and a very driving rhythm: the effect being a dance-stimulating effect.
"Makin' Whoopee"... the last of the grooves, is a robust version of the tune, the celebrants managing each to be heard in the revelry. It's a whoopee loud and long and human.

"I'm Forever Counting Geigers"... is an original by Marty Paich, who also played piano on the session. It's a very happy little thing that seems to jump off in all directions but has the necessary amount of cohesiveness to be well held together. It's faintly reminiscent of Chopin's Minute Waltz. The unison work contributes greatly to the enjoyment of the tune, and the soloists, in order of appearance, are "Bert Herbert," alto sax; Bob Gordon, baritone sax; Jack Montrose, tenor sax; Stu Williamson, trumpet; and Marty Paich on piano.
"Id"... is an original by John Graas whos "Jazz Studio 3" (Decca DL 8104) has just been released. Soloists involved are "Herbert," Gordon, Williamson, Montrose, Collette, and Paich plus the efforts of Chico Hamilton on drums and Curtis Counce on bass.
"Skip to my Loot"... is another Marty Paich arrangement of the standard, "Skip to My Lou." Marty's Piano establishes the theme contemplatively and tenderly at the beginning and then the saxophone quartet comes in up tempo. From then on it's each man for himself in this order: "Bert Herbert," alto; Jack Montrose, tenor; Stu Williamson, trumpet; and Bob Gordon, Baritone Sax. Marty Paich comes back on piano to return the original form to you undamaged in any respect.
"Speak Easy"... is an original by Jack Montrose. It is most easily the type of music that lets your imagination create a choreographic pattern. It's possibly the most interesting arrangement in the group and seems embued with a Kenton element. However, it goes its own way. Heard on the side are Montrose, Gordon, "Herbert," Williamson, and Paich with the addition of tenorman Buddy Collette.

Blow Hot - Blow Cool will, I'm sure, give you a taste of temperature, humidity, tempo and satisfaction. No more could be asked of any recording.

- Al "Jazzbo" Collins

Barcode and Other Identifiers

  • Matrix / Runout (Side A): MG 4091-1B
  • Matrix / Runout (Side B): MG 4092-1B

Other versions

Category Artist Title (Format) Label Category Country Year
DL 8130 Herbie Fields And His Sextet And The Melrose Avenue Conservatory Chamber Music Society Herbie Fields And His Sextet And The Melrose Avenue Conservatory Chamber Music Society - Blow Hot - Blow Cool ‎(LP, Mono) Decca DL 8130 US 1955
DL 8130 Herbie Fields And His Sextet And The Melrose Avenue Conservatory Chamber Music Society Herbie Fields And His Sextet And The Melrose Avenue Conservatory Chamber Music Society - Blow Hot - Blow Cool ‎(LP, Mono, Promo) Decca DL 8130 US 1955
PCO 7300 AK Herbie Fields / The Melrose Avenue Conservatory Chamber Music Society Herbie Fields / The Melrose Avenue Conservatory Chamber Music Society - Blow Hot - Blow Cool ‎(LP, Mono, RE) MCA Coral PCO 7300 AK Germany Unknown
FR10-862 Herbie Fields And His Sextet, The Melrose Avenue Conservatory Chamber Music Society Herbie Fields And His Sextet, The Melrose Avenue Conservatory Chamber Music Society - Blow Hot, Blow Cool ‎(10", Album, Mono) Festival Records FR10-862 Australia 1955

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